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Featured articles from Cave & Karst Science Journals
Characterization of minothems at Libiola (NW Italy): morphological, mineralogical, and geochemical study, Carbone Cristina; Dinelli Enrico; De Waele Jo
Chemistry and Karst, White, William B.
The karst paradigm: changes, trends and perspectives, Klimchouk, Alexander
Long-term erosion rate measurements in gypsum caves of Sorbas (SE Spain) by the Micro-Erosion Meter method, Sanna, Laura; De Waele, Jo; Calaforra, José Maria; Forti, Paolo
The use of damaged speleothems and in situ fault displacement monitoring to characterise active tectonic structures: an example from Zapadni Cave, Czech Republic , Briestensky, Milos; Stemberk, Josef; Rowberry, Matt D.;
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Karst environment, Culver D.C.
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Calculating flux to predict future cave radon concentrations, Rowberry, Matt; Marti, Xavi; Frontera, Carlos; Van De Wiel, Marco; Briestensky, Milos
Microbial mediation of complex subterranean mineral structures, Tirato, Nicola; Torriano, Stefano F.F;, Monteux, Sylvain; Sauro, Francesco; De Waele, Jo; Lavagna, Maria Luisa; D’Angeli, Ilenia Maria; Chailloux, Daniel; Renda, Michel; Eglinton, Timothy I.; Bontognali, Tomaso Renzo Rezio
Evidence of a plate-wide tectonic pressure pulse provided by extensometric monitoring in the Balkan Mountains (Bulgaria), Briestensky, Milos; Rowberry, Matt; Stemberk, Josef; Stefanov, Petar; Vozar, Jozef; Sebela, Stanka; Petro, Lubomir; Bella, Pavel; Gaal, Ludovit; Ormukov, Cholponbek;
Helictite, 1966, Vol 42, Issue 2, p. 33-50
Hand Paintings In Caves (With Special Reference to Aboriginal Hand Stencils From Caves on the Nullarbor Plain, Southern Australia)
Lane Edward A. , Richards Aola M.
Abstract:
This paper discusses hand stencils and imprints found in caves and rock shelters throughout the world, and considers their possible origin and significance. It discusses the paleolithic hand paintings of France and Spain, and presents some of the meanings attributed by various authors to this form of art. Particular mention is made to mutilation found in many of the hand stencils. Reference is made to historic and recent examples of these hand paintings. Australian aboriginal hand paintings in limestone caves and rock shelters are also considered and their meanings discussed. The similarity of Australian and European hand imprints is pointed out. Special reference is made to hand stencils found in caves on the Nullarbor Plain, Southern Australia. It appears that stencils in Abrakurrie Cave show the deepest penetration of aboriginal art yet recorded inside caves in Australia.
This paper discusses hand stencils and imprints found in caves and rock shelters throughout the world, and considers their possible origin and significance. It discusses the paleolithic hand paintings of France and Spain, and presents some of the meanings attributed by various authors to this form of art. Particular mention is made to mutilation found in many of the hand stencils. Reference is made to historic and recent examples of these hand paintings. Australian aboriginal hand paintings in limestone caves and rock shelters are also considered and their meanings discussed. The similarity of Australian and European hand imprints is pointed out. Special reference is made to hand stencils found in caves on the Nullarbor Plain, Southern Australia. It appears that stencils in Abrakurrie Cave show the deepest penetration of aboriginal art yet recorded inside caves in Australia.